<\/p>\n\n
The structure of a Haiku poem forms the exoskeleton of this production, establishing a parallelism between the inability to explain certain aspects of insect ethology and human behavior.<\/p>\n\n
Insects are once again the epicenter of this work, evoking exotic creatures that support architectures that could well remind us of origami structures, articulated in an eternal folding-folding of wings, even insinuating Geishas from a dreamlike imaginary.<\/p>\n\n
Incomprehensible creatures, scenes and scenarios flood this work, until “exhausting the realm of what is possible in a mortal life”, as Pindar points out in Albert Camus’ “The Myth of Sisyphus”.<\/p>\n\n
“Empusa Poem” is an evolution of the previous work, “Insecto Primitivo”, creating a harmony of multilanguages between dance, physical theater and sport, and delving into a new and disturbing imaginary of entomological mythology.<\/p>\n","protected":false},"excerpt":{"rendered":"